This week, I created a YouTube video to show buyers how I create the beautiful diffusers for my lampshades.
Though Edison-style lightbulbs are available, they don’t always suit every interior style scheme, especially if you’re going for a more cosy, less industrial look.
Watch how easy it is to assemble a diffuser for your lamp shades. I’m considering having these as kits in my shop as an alternative way to hang and present my artwork.
This week, my YouTube video addressed a question from one of my subscribers. They asked for a video explaining how the duplex fitting can be used. I show how they’re used to suspend a lampshade from above. Lampshades can be suspended from a ceiling cable or wires on either side of a bed. We often see the suspending of smaller lampshades in industrial-style or fishing rod-style floor lamps.
In the video, I show details of the spider attachment. You get to see how I easily swap over various styles of lampshades. It’s less bothersome to do the same with the usual fittings.
Please ensure your lampshade has the duplex fitting when you buy from my shop. This ensures ease of swapping over. This enables you to use an empire shape. You can suspend it from above or place it on top of a table lamp.
Below is a bonus video showing how the same duplex frame on my Empire lamps can also be used as a table lamp. In essence, you don’t need to turn the lampshade upside down.
The WordPress AI generated the featured image above of the gold lighting, after it read my post. I think it’s OK as an illustration of the mood. It seems to understand what my blog post is about home offices and new forms of lighting. But it does not represent what I created, but I’m glad it didn’t use my design. It only used the colours I’m talking about. So that’s what makes it OK.
15cm x 18xm painted skin assembled on table lamp frame.
Last week I wrote about preparing for the design competition, using my inspiration from visits to the design centre in Chelsea and noticing other lighting creators offering their variations of the black and gold lighting theme. This week I can report that i have submitted my work to the competition. Below shows the other images and videos I took of the later part of my process.
Finished two just one more to go. Experimenting with legsThe black and gold lamps lit upLamps in situ on display on my bookshelf
On search for design inspiration, I went to the Wow house, down the road from me at Chelsea Design centre. The exhibition is in its third year, which means that I was there at the first Wow house see blog link. But then I had used visiting the Wow house as a tactic to get me out of the house after my pandemic imposed social anxieties.
Now that those wowes are behind me I had a bit more pep in my step as I visited this time. Now, in 2924, I was purposefully looking out for the latest thinking about home office design and where the field is on shelf styling and lampshade trends. This post is about examples of home office styling and accessorising I saw. I have pulled together my top five to comment on.
Study One: Conceptualising Studio Spaces
Subscribers will remember that I love the fantastical in art and this studio by Fosbury Architecture has done it in room design, furnishings and finishings. They have ensured that all work surfaces receive the maximum levels of cosy because every office artefact, tool and piece of equipment is covered by the fabric of the sponsor Dedar. I loved the sumptuous nature of it. It certainly is an answer to the current calling for cosy office or cozy office decor as they say in USA. I later sat in this room with 20 other people when we were on the guided tour.
Conceptual Studio workspace created by Fosbury Architecture for Dedar Nicola Campri and Claudia Mainardi at Wow House 2024
Sitting there in the corner gave me a real sense of belonging and feelings of affinity with the others on the tour. It felt safe, cocoon like. It has given me some ideas about the future of training room design, that I have long complained to my colleagues about. Perhaps training room studios could be like this and the cocooning is the butterflies that will emerge from their day of corporate training.
Study Two: Functional Reality.
There were also office and study displays to be found in the showroom windows adjacent to the exhibition. The example below from Ligne Roset. This shows the reality of what people tend to buy. I do love the warmth of a dark walnut wood. It might be the new burled wood style that is coming in.
Study Three: Global Style Influences
East meets west. Japan has an influence in the room set up below. By Anahita Rigby’s cool office with a strange zen yet industrious feel. It was one of the rooms that enjoyed sitting in for a long time just absorbing all the textures.
Below are videos of lighter versions of studies.
Study four: How to elegantly place your desk in your bedroom
The exquisite desk arrangement in the Courtyard bedroom of Veere Grenney showing restrained elegance for Schumacher.
Veere Grennay’s elegant desk creating a study area in the Courtyard Bedroom
I think you can hear other viewers giggling about another room, they were hinting at how one of the rooms reminded them of a cosy country cottage. I left the sound on as the music seemed to find to fit the calm feel of this desk arrangement.
Study Five: Library Decor on Stage
And lastly putting on a grand appearance (his background explains why) is the Library by Andrea Benedettini. He used to be a Ballet Dancer and the Library was inspired Swan Lake and theatre curtains. I love the ballet and have seen many productions and this library setting was significant for me as it including floor to ceiling curtains to cover the walls. Andrea Benedetti is said (by the tour guide) to have been inspired by stage curtains for the wall draping. It was beautiful. I love that the overall look acknowledges the importance of presenting those bookshelves. And this room is a great exemplar for shelf styling cabinetry integrated into a room.
Andrea Benedettini Library
Overall I found I was full of wonder at the wow house. I was struck by how every study room appeared to use fabric as a wall covering. There was also deeply considered treatment of the ceilings as a feature or complement the room
Metal tended to feature in the lighting for all office desks and shelves so this might influence what I do with future lighting collections too.
Art was another big feature for shelf and desk displays, with nearly every room acknowledgeing the important role that art plays for personalising the space and conveying the inhabitant’s unique personality. I particularly loved how in the Martin Moore kitchen with Studio Vero (Romanov Brihi and Venetia Rudebeck) they purposefully curated and displayed green and organic themed art for shelves in their kitchen. It complimented the beautiful green and black marble surfaces they used, to make the space feel like a place to spend time and truly enjoy.
As a bonus i have added the Colefax and Fowler Morning Room by Lucy Hammond Giles. For some reason this was the room where everyone seemed to just want to sit in and rest and take in the decor.
Colefax and Fowler, Morning Room by Lucy Hammond Giles
What are the best office set ups or studies you have seen? What did you like about the five studies I’ve looked at?
I realised how much I appreciate some classical English stately home decor from my trip to Ashridge House in Hertfordshire recently. I was surprised as I thought a lot of my style comes from my Caribbean heritage and London urban living and my immersion in corporate training.
But I discovered how much I love the juxtaposition of earthy stone tones with the bling of gold frames that can be found in some English Stately homes like Ashridge.
The amazing thing about Ashridge house is that it used to be where Henry the VIII and Elizabeth 1st lived. It is also famous for various films like Beauty and the Beast, Malificent, killing Eve and More.
My return to and finding new uses for the small drum lampshades have sparked fresh creativity and renewed interest.
Currently the empire and coolie (more correctly conical) style of lampshade is all the rage. This created my dilemma, as fewer people were buying the drum shades, especially in the small sizes that I make. And I had made a lot to experiment and sharpen my practice of adding more decorative elements to them like the metal upholstery studs as I’ve always loved that classic look.
But, this week I set on a spree to rediscover what the styling options were for the plethora of small 15cm drum lampshades that I have in store (not all are in the online shop).
When people think about their dream home, they often think about the broad architecture. They might also dream about the interior space, structure and design. But their imaginings often miss considering the tiny decor details like the composition and likely colours needed in styling their shelves, open storage and library bookcases. Instead those finer details are left to chance. Then what we see at best their shelf display is about arranging things neatly. And at worst the shelf seems to curiously be like an exposed front draw with tens (or 100s) of items drowning in layers of sticky dust.
This post gives a few ideas for styling your shelf. It especially shows you how to use pieces of shelf art to anchor the colour scheme and inspire what items should go on the shelf and how to artfully display them so the scene is an amplification of the art.
I visited Wales this week and happened to drive by Cardiff castle 🏯.
Cardiff Castle
I first noticed all the Japanese business people walking past and admiring the different gargoyles and statues on the castle as they walked hurriedly in their smart business dress. I too thought about the makers of the stone and metal castings and carvings. But I wondered about their daily toil. I imagined the working conditions of those aged artisans who made their creative marks luckily lasting 100s of years.
I visited Covent Garden for a meal and did some shopping. There I also noticed how the artistic contribution features m in our everyday encounters. Sometimes we must look deeper to notice how the hidden artist gets to express their work through mundane things like our retail experiences and our eating out.
Why did I start designing and making elegant lampshades that soften our office table lamps? Here I recall three parts of a conversation forming reasons why I found it vital to begin this quest and where I am now.
In 2012, I complained to an interior design/ architect friend (I was sharing a Chelsea office with) that we saw too much hard surfaces in office decor (albeit for durability and health and safety) when organisations should be enacting the softening up to echo their espoused prioritisation for well-being and more human side of organisational life.
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