Author: Glenis

Dreamy Shelf Styling

Organisational Aesthetics

Write about your dream home.

When people think about their dream home, they often think about the broad architecture. They might also dream about the interior space, structure and design. But their imaginings often miss considering the tiny decor details like the composition and likely colours needed in styling their shelves, open storage and library bookcases. Instead those finer details are left to chance. Then what we see at best their shelf display is about arranging things neatly. And at worst the shelf seems to curiously be like an exposed front draw with tens (or 100s) of items drowning in layers of sticky dust.

This post gives a few ideas for styling your shelf. It especially shows you how to use pieces of shelf art to anchor the colour scheme and inspire what items should go on the shelf and how to artfully display them so the scene is an amplification of the art.

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Abstract Botanicals: Doing Final touches on Artwork

Art & Illustration

This week I was doing the final varnish and layering on of skins for my artwork while making sense of what the series should be called and the concept behind it.

This first series has taken me over a year to make and there are over 30 mixed media 7” x 5” (178 x 127cm) pieces in the series. I thought of all kinds of names to acknowledge that the pieces express the underlying complexity and tensions I see in organisational life, as I’ve gone about helping workers with changing the corporate landscape. There is an overall name for the series which is abstract botanicals. But..that would be the more appealing acceptable name.

I was encouraged to hear another artist speak of her work conveying the horror and disgust that she experiences with another phenomena. And I realised that this is what my art is conveying too. Thus although this first series shows bright and colourful, botanical patterns of barely recognisable trees, plants and flowers (apparently I’m good at transubstantiation, necessary for abstract work), it sure ain’t pretty.

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English Country Guesthouse inspiration

Organisational Aesthetics

I’m an obvious urbanite and was nervous about travelling to England’s South West Countryside for work, this week. I had to visit Somerset in particular Chard for my 9 to 5. But my journey was helped because I stayed at a lovely little local guesthouse. And while the Chard guesthouse did not exhibit all the slick, minimalist, post modern or contemporary industrial style I have been accustomed to seeing on my usual business travels, this place really did emit some helpful old world charm

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Ability to follow engaging Style is

Personal Reflections

What makes a good leader?

This bloganuary prompt (what makes a good leader?) made me chip in mid week and roll over to Sunday. We are seeing more reports on successful leaders being able to follow a variety of elements within the organisation. Some of the elements include what their followers say is of concern. Leaders today also must follow guidance and advice from a range of stakeholders. Later you will read how important it is that leaders get the very soft and aesthetic elements right too.

Following rules for shelf styling. Clumping elements in threes, fives or sevens, Maximising the layers, using lighting, botanicals, colour and painting tactically to get an inspired feminine industrious vibe.

Zone into wellbeing elements like designer iconic candles and image on a brochure i liked.

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How to make your bookshelf smile

Organisational Aesthetics

This week I was telling colleagues, clients and friends about the trends in senior leader training, I’d been hearing about. Especially those deep soft elements that help presenters with engagement in hybrid, virtual or online meetings. There has been a lot discussed about the importance of backgrounds when you are doing an online meeting, especially if you are a senior in the organisation. Interestingly in the middle of one of the meetings I was asked about my own bookshelf and they pointed to one of my lights and it started a nice ice breaking warming conversation.

I understand why this is happening. I often get asked about my bookshelf style in wonder. Some think its one of those generic backgrounds or that I am in a very swanky part of the HQ that no one has ever seen. Little so they know that it is through  using my old film studies scholar hat, I made the connection of how we still turn to the dramatic arts and cinematography in organisation life. And how this part of the cultural sphere can help us to understand how best to convey the identities that we want with clever use of props (our own home office decor). A WebEx, Zoom, Go To Meeting screen is no different to the big silver screen. It’s just smaller and because you are the central actor the mise-en-scene should convey more about who you are.

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