Even with a busy 9-5 schedule, I’ve managed to find some time to experiment. I focus on recovery and taking care of my well-being during downtime. I’ve experimented with creating new items, like transforming my paint skins into brooches, necklace pendants, and cuff links.
I’ve also been painting with alcohol inks and love the wispy ethereal abstract results I get.
I’ve started to understand the ethos of my mark-making. This allows me to start asserting the components of an artist statement for my creations. It’s all about providing an opportunity to focus on the mess.
What do you think about choosing art that portrays the reality of messy situations vs clear, crisp representations of things? It speaks to my critical realism.
I continue logging my now developed practice and process of sharpening my artistic talents. The first half of the year will see less written content from me. Instead I shall be creating more videos and providing links of what I have uploaded from my you tube channel.
I also integrate more of my insights from my executive team coaching course that I did as I found I can use my practice as an artist and maker to help senior executive teams and virtual teams become more effective. Look out for the calls for participants to the inaugural art led executive team coaching programs, that I will personally offer and deliver early to mid 2025.
So for this week, enjoy this video of me taking down my Christmas decorations from my own home office backdrop. It might perhaps be symbolic of marking the end of an era as this year I integrate more of my talents into on sophisticated offering to the world.
Subscribe and ask questions about how I integrate art and playful practices into developing leadership teams.
Visiting my local hospital I found it enjoyable to pause and explore the art.
Charring Cross Hospital uses art well. The images below are what captured my thoughts this week when I visited the hospital for a check up.
Not only was I mesmerised by the colours, the vibrancy of the paintings, I noticed how easy it was for me to feel calmed and be part of a community of gallery viewers enjoying the art at my local hospital. You saw it, it made you contemplate when when you walk through their corridors or approached the lifts.
David Wiseman’s huge artwork on the first floor of Charring Cross hospitalLovely small artworks on display at Charring Cross hospital in the main entranceThe wide array of artwork at the entrance of the hospital in Fulham
I never noticed the art before, it was a stressful moment for me but the art helped me to feel calmer. But it is a lesson to us all about the role that art could play in our own workspace.
Art is known to uplift, bring joy, elevate, bring hope or help our racing thoughts pause from its meditative transfixing properties.
So don’t forget to include art purchases if you are renovating your own home office and wanting to style your shelves.
Let me know in the comments, how many pieces of art do you have in your home office? How many on your shelves? How much art is on your wall to create an aesthetic virtual meeting backdrop?
If you want to see the art I created small enough to display on shelves, click on this link to browse the art that I sell on Etsy.
This week’s AI generated featured image gets an 8/10 it resembles the mess when you are doing product photography.
This week, I was reminded of my academic interest in the Journal of Organisational Aesthetics, which comes out of the highly lauded Tavistock to explore how human senses and artistry inform businesses and many other company practices found in charities and government.
Since I currently work at the intersection of art and organisational behaviour creation, I thought my take on organisational aesthetics might be unique and was looking forward to presenting a couple of papers to this scholarly community.
However, I later discovered that the very thing informing the presentation of my art practice is mostly from my experience in my first career, where appealing to the customer’s five senses was what we were all about in the world of the five-star spa.
I had an intense weekend. Synthesizing a range of ideas in re-doing some product photography. I had to fit in with Etsy’s new rules for sizing from listening to some of their reasserting of the preference of the algorithm for light backgrounds, in pictures. I also had to remember what my shelf styling class taught me about arranging items with natural materials. Additionally I integrated what the product photography coach said about getting good lighting with proper window positioning and using tools to get filler light to remove shadows and cast secondary light on areas of the product. Those are the three main main pieces of aesthetics advice that Etsy sellers get. It’s given as a recommendation of appealing to customers and selling more items. And the practice would appear to be in the thick of organisational aesthetics, however the scholars do say they distinctly focus on beauty for the sake of engaging the senses and not just for profit or sales.
I dug deeper into what organisational aesthetics might mean to me and the art I do and how I present it. I asked myself:
Q: What is this Aesthetic that I create and cannot avoid repeating? Where does it come from?
A: It comes from within and some of it might be the imprint of your spa and beauty years.
Hidden Letters: Purple Haze Abstract Mixed Media against lighter background.
Poured pain skin presented around a table lamp frame.
Hidden Letters Beach Blue: Abstract Mixed Media against lighter background.
Hidden Letters: Orange haze Abstract Mixed Media against lighter background.
After a few struggles and wondering why my arrangements do not look corporate in the slightest, no matter how many books and staplers I insert. I then realised my style comes from an imprint from my early career induction into the interior design and decor values of five star spas, Mayfair clinics/ treatment centres head offices and London’s West-End retail (my first proper Saturday job was Miss Selfridge in Knightsbridge).
It also dawned on me that this is a group (except the West End retail) that might welcome some help. I remember being a sole trader in my city of London treatment room, unsure how to fit out the space I was renting. However, my friend Rachel helped to wallpaper in Timinney Fowler and fit the blush-coloured carpet at the reception. I just had a flashback of getting the electrician to install a gothic lamp and fill up our IKEA cabinet; it would have been nice to have someone to discuss shelf displays that might make the products look more appealing through storytelling other than piling the boxes boxes of moisturiser and serum high.
If you are an independent trader or sole operator in the beauty and spa world and agree that product houses could help more with your displays please comment below.
If you are in any other industry and a sole operator and wondering how you learned to present your professional and personal brand and how organisational aesthetics fits with what you do, please comment below.
How did you come to know what your style or aesthic preference is? How does your organisation use organisational aesthetics not only to bring in revenue but just for the value of having something beautiful to look at?
Below is a list of the posts you might have missed from August
The AI created the above featured image after a few attempts of not getting it quite right. I then asked it to show me an image of a black woman doing finishing touches to artwork and photography. I give it 8/10 this week.
This week I was able to do finishing touches, like mounting an abstract painting on paper onto canvas and setting up for product photography. I also completed the remaining x15 A5 sized artworks on art board.
Some of the x 15 abstract collaged monograms sculpted paintskins on canvas board Doing product photography
Love this mixed abstract painting using acrylic inks on paper mounted on framed canvas.
It has taken over a year to complete the series of about 30 + mixed media artwork featuring paint skins for texture. I’m also glad to have come up with the concept of paint skin to create abstract versions of the monogram underpainting.
Making an abstract monogram from sculpted paint skins
I love the interesting mix of textures that the offset mosaic like arrangement in the colleage creates.
The knife-sculpted paint skin allows me to extend the boundaries of the canvas, reminding me of overgrown nails. 💅🏽, which I later trimmed down. This has inspired future works.
The featured image above was generated by AI after it analysed all the images on this post. Interesting 🧐 not sure I like it this week.
Now that all the lamps have their feet attatched the look is completed. I like that the feet echo the organic black shapes in the poured skin that surflaces the barrel of the lamp.
In creating a series of painted and poured skins and assembling each onto lampshade making backing I first thouhgt I was a bit crazy, but I didnt mind because people had volunteered that they loved what I had created. I later discovered that I am not solitary in making sculpural forms out of paint integrating a clear foundation for a more etherial spirited look. I had learned about sculptural skins before as we were taught that in my mixed media class at Central Saint Martins. But I hadnt come across an artist who had had integrated the clarity of acrylic sheeting in their work.
Poured paint sculpture lamps: The first trio with all their feet fitted, allowing paintings to be formed into semi transparent tablelamps15 cm acrylic abstract poured on PVC formed to tablelamp signed on the back..20cm poured acrylic and ink laminated on PVC framed with black cotton formed to tablelamp
Yet, this week I found new company for this sculpural element of my artwork in the work of Lillian Thomas Burrell. This American artist born in 1927 and five years younger than my mother, wrote a book called From Painting to Painting as Sculpture: The Journey of Lilian Thomas Burwell, by Lilian Thomas Burwell, Hampton University Museum.1997. I have orded a signed copy of it.
I learned about her this week, when Kitty Gurnos-Davis of @artistic.identities posted a reel on IG (16th August 2024) talking about the work of Lilian Thomas Burwell (saying she was ashamed to not yet had discovered her). From watching this reel, I entered into a new world. My internet research took me on a journey. I discovered the images of her sculptures made of painting canvas over a wooden form. There are also images and videos of her use of acrylic sheets with wood in her paintings on canvas.
The Lillian Thomas Burrell exhibition at Berry Cambell Gallery from You Tube
My prior career as a management academic allows me to understand the importance of asserting and connecting with the seminal works in my field. I know that using paint skins is something that is a constant in all my work. Seeing and using paint’s sculptural potential is what only a few artists do. It was encouraging to digitally meet the work of Lilian Thomas Burwell this week. I’ve downloaded the book to discover more about this genre and even asked for a signed copy so I can have it to hand for future reference and inspiration..
I shall be making more of these poured paint sculpure lamps in other colours. Purple and gold was requested on instagram and I might do a deep red and organic green and even a yellow and blue later.
On search for design inspiration, I went to the Wow house, down the road from me at Chelsea Design centre. The exhibition is in its third year, which means that I was there at the first Wow house see blog link. But then I had used visiting the Wow house as a tactic to get me out of the house after my pandemic imposed social anxieties.
Now that those wowes are behind me I had a bit more pep in my step as I visited this time. Now, in 2924, I was purposefully looking out for the latest thinking about home office design and where the field is on shelf styling and lampshade trends. This post is about examples of home office styling and accessorising I saw. I have pulled together my top five to comment on.
Study One: Conceptualising Studio Spaces
Subscribers will remember that I love the fantastical in art and this studio by Fosbury Architecture has done it in room design, furnishings and finishings. They have ensured that all work surfaces receive the maximum levels of cosy because every office artefact, tool and piece of equipment is covered by the fabric of the sponsor Dedar. I loved the sumptuous nature of it. It certainly is an answer to the current calling for cosy office or cozy office decor as they say in USA. I later sat in this room with 20 other people when we were on the guided tour.
Conceptual Studio workspace created by Fosbury Architecture for Dedar Nicola Campri and Claudia Mainardi at Wow House 2024
Sitting there in the corner gave me a real sense of belonging and feelings of affinity with the others on the tour. It felt safe, cocoon like. It has given me some ideas about the future of training room design, that I have long complained to my colleagues about. Perhaps training room studios could be like this and the cocooning is the butterflies that will emerge from their day of corporate training.
Study Two: Functional Reality.
There were also office and study displays to be found in the showroom windows adjacent to the exhibition. The example below from Ligne Roset. This shows the reality of what people tend to buy. I do love the warmth of a dark walnut wood. It might be the new burled wood style that is coming in.
Study Three: Global Style Influences
East meets west. Japan has an influence in the room set up below. By Anahita Rigby’s cool office with a strange zen yet industrious feel. It was one of the rooms that enjoyed sitting in for a long time just absorbing all the textures.
Below are videos of lighter versions of studies.
Study four: How to elegantly place your desk in your bedroom
The exquisite desk arrangement in the Courtyard bedroom of Veere Grenney showing restrained elegance for Schumacher.
Veere Grennay’s elegant desk creating a study area in the Courtyard Bedroom
I think you can hear other viewers giggling about another room, they were hinting at how one of the rooms reminded them of a cosy country cottage. I left the sound on as the music seemed to find to fit the calm feel of this desk arrangement.
Study Five: Library Decor on Stage
And lastly putting on a grand appearance (his background explains why) is the Library by Andrea Benedettini. He used to be a Ballet Dancer and the Library was inspired Swan Lake and theatre curtains. I love the ballet and have seen many productions and this library setting was significant for me as it including floor to ceiling curtains to cover the walls. Andrea Benedetti is said (by the tour guide) to have been inspired by stage curtains for the wall draping. It was beautiful. I love that the overall look acknowledges the importance of presenting those bookshelves. And this room is a great exemplar for shelf styling cabinetry integrated into a room.
Andrea Benedettini Library
Overall I found I was full of wonder at the wow house. I was struck by how every study room appeared to use fabric as a wall covering. There was also deeply considered treatment of the ceilings as a feature or complement the room
Metal tended to feature in the lighting for all office desks and shelves so this might influence what I do with future lighting collections too.
Art was another big feature for shelf and desk displays, with nearly every room acknowledgeing the important role that art plays for personalising the space and conveying the inhabitant’s unique personality. I particularly loved how in the Martin Moore kitchen with Studio Vero (Romanov Brihi and Venetia Rudebeck) they purposefully curated and displayed green and organic themed art for shelves in their kitchen. It complimented the beautiful green and black marble surfaces they used, to make the space feel like a place to spend time and truly enjoy.
As a bonus i have added the Colefax and Fowler Morning Room by Lucy Hammond Giles. For some reason this was the room where everyone seemed to just want to sit in and rest and take in the decor.
Colefax and Fowler, Morning Room by Lucy Hammond Giles
What are the best office set ups or studies you have seen? What did you like about the five studies I’ve looked at?
Welcome to this months’s edition of the newsletter. The cultured complexities series is being released and listed on Etsy this week. Artwork is ready to purchase.
The Cultured Complexities series is of about 30 mixed media painting made small enough for shelf display. It is a series that took me one year to complete as I started April 2023. Below are images that show the processes.
Last week I visited Tennessee USA, to carryout business for my employer. On my rest and travel day I was taken on a tour of Nashville and naturally sought out the art and culture areas. I’m not such a fan of music venues, being from London we get a lot of those around here. Instead I was more intrigued by Belmont and Vanderbilt campus area and the lovely community around there. I went to the Parthenon where they had an artist on show that I have begun to admire because I feel a sense of affinity.
This week I was doing the final varnish and layering on of skins for my artwork while making sense of what the series should be called and the concept behind it.
This first series has taken me over a year to make and there are over 30 mixed media 7” x 5” (178 x 127cm) pieces in the series. I thought of all kinds of names to acknowledge that the pieces express the underlying complexity and tensions I see in organisational life, as I’ve gone about helping workers with changing the corporate landscape. There is an overall name for the series which is abstract botanicals. But..that would be the more appealing acceptable name.
I was encouraged to hear another artist speak of her work conveying the horror and disgust that she experiences with another phenomena. And I realised that this is what my art is conveying too. Thus although this first series shows bright and colourful, botanical patterns of barely recognisable trees, plants and flowers (apparently I’m good at transubstantiation, necessary for abstract work), it sure ain’t pretty.
I had a few days of annual leave from my 9 to 5 this week. With this time I managed to make a few skins in preparation for bigger paintings and to help finish the smaller pieces.
Experimenting and playing with making skins
I managed to meet up with old friends for lunches and suppers. It was at these events where I later became struck at how much my social world influences or at least threatens to shape what I do with my art.
Cultural references
London Pearly Queen’s 👑 outfit seen while visiting Sommer Town Museum, this week. Triggered our conversations about class, place spaces belonging. It made me think about aesthetic traditions and whose aesthetic is most dominant in the art world and why. I also considered occasions when the aesthetic of the less dominant is allowed to shine and be expressed. I concluded that there is a virtuous story to tell about duty, goodness and working hard that I discovered my art was at risk of being embroiled in.
As I write ✍️, it is the first interval at Sadlers Wells on Saturday 16th September. We just finished watching the first act of The Alvin Ailey dance Roy’s Joys.
Mesmerising clouds 🌨️ on train from Birmingham to London
I got a chance to do some blue sky thinking 🤔 this week on a train ride from Birmingham.
The journey gave me an opportunity to plan some new artwork based on these pictures I took. I was also able to make connections to the paint skins I was creating.
I saw Barbie and I’m conflicted. I didn’t always approve of the film because I read it with a critical mind and having been someone that has researched in the field of culture and youthfulness and beauty I didn’t approve. But speaking as the person who teaches corporate entrepreneurship, culture and marketing I did approve. I admired the genius it is for future sales of ordinary Barbie. Look out for the news stories about queues around Hamleys come Christmas 🎁. So I have mixed feelings about it and they run deep.
Short one this week as blogging from my phone as my laptop died and I cannot decide whether to buy an I pad or laptop.
Meanwhile I’m back in the swing of painting and making as I settle into my new 9 to 5 role. It’s amazing what a rested mind will do for art and creativity.
I was thinking back on the course I did at CSM this week. Those thoughts helped my plans to integrate paint skins into more of my pieces.
Gold skin from CSM course to make jewel like paintings. Phase one.Exploring shapes with cake cutters and cake tins Playing with negative space and marbling
I tried to review at least three of the big famous artworks that use skin, but I got distracted by the work of Frank Bowling. Tate. Arts seem to think he does it, and I need to investigate further. Perhaps it’s that he uses canvas-like skin. I still need to read more of that very long paper.
Below is a collection of paintings and initial drawings I did at the City Lit Abstract Painting Weekend Course. It was fun. There were lots of other painters there.
Some of us ate at Itsu Covent Garden on the pavement at lunch and watched as the Free Masons tried to recruit more members from people (men walking by. Our lunchtime vista was a strange mixture of men wearing dark Crombie coats, hell’s Angels, and a couple of Harley-Davidsons on the pavement.
Perhaps that inspired me to create this really feminine piece of work below. Some of the feedback in the crit was that I have a really light hand. I felt light creating it, so that was nice to hear.
Who would have thought that Margate would be where I would discover a gallery floor full of art about the black lived experience. This blog tells the story of what I discovered and what it meant to my own future art practice, especially when considering how and where I would like my art displayed.
This week I had time off from my 9 to 5 and immersed myself in making while fighting a head cold. But determined to stock up for my Etsy shop and develop the idea of a decor solution for people working from home. Realised that being a lowly crafter, artist and maker has advantages for pushing the art envelope further to improve how businesses work.
I’ve realised that product photography needs a story and an artist. I found that product photography needs to be approached like a painting; there is creativity and artistry to behold. So this week I was making decisions about the story behind my by-products and the kind of story my buyers would like to see.
The story is for the adventurous and about charting new ventures and horizons while keeping a reflective eye on the past.
My buyers are unique individuals; they subscribe to goth, dark academia, light academia, steampunk and heirloom. I also note they are comfortable with maximalism and the odd bit of quirk here and there.
I found it worth exploring new setups with product photography this week. I was also inspired by those food stylists that deconstruct a blueberry pie and trickle crumbles of pastry and jam on the table because they sign up to the messy, over-the neat minimalist vibe.
Below is a sneak peek of behind-the-scenes setups I was playing with. They are not out yet. I’m curious to know what my product photography teacher thinks of them. As I clicked away, I thought, at least he’ll see I’ve been trying. It’ll give him something to discover about me to help him understand what I need to improve. But I’m inspired by seeing the photo like a painted canvas. I can work with that.
A whole load of new shades are being uploaded this weekend. Wait till late on Sunday to look at the shop or even late Wednesday evening.
I’ve started to integrate my two arts. In psychology, that’s a good thing to do to become whole. But I thought about that after and not before I did it.
I have integrated my graffiti art onto my lampshades. They look rather cool. I noticed my curly cursive writing when using paint and how it has a unique style of its own despite my dyspraxia dyslexia which allows the lines and the curves to take on another life of their own.
I was also inspired by a question in our Facebook group for lampshade makers. Someone had asked how to display the lampshades when they go to fairs. This question comes up often. The idea to use mannequins to display the maker’s lampshades came up, and I scoffed at the response, thinking it was that gimmicky, and I couldn’t imagine how that might look. It might look hideous and distract from the shades for the person asking. And I also thought that lagging the mannequins around and putting them together at the fair was difficult.
The person had large shades about 30cm 40 cm wide, and ultimately, the look would have been very Ascot-like, as if the manikins were wearing wide-brimmed hats.
Then I didn’t think about it again until I had to take some images for my 15 cm lampshades for the desks of stylish professionals and their statement yet cosey task lighting. I was searching for inspiration and realised that sitting across from me was a head figure I bought from a trendy interior designer, Abigail Ahern’s shop. I promptly placed one of the lampshades on the statue, which did seem like sacrilege a bit at first.
However, after some thinking about it, I realised how fitting and natural it was., Seeing a statue of a magnificent African woman or woman with African heritage with a tall cylindrical object on the head reminds me of what I saw when I visited Africa. I travelled on a Kenya safari and spent some time in Nigeria for work. Seeing a magnificent woman walking around with a cylindrical bucket containing water, shopping or goods for the markets on their head was normal. But it always pains me that the cylindrical buckets the African women (children too and young men to a lesser extent) normally have on their heads were often some garish yellow or blue plastic unimaginative vessels.
Looking at my graffiti lampshades on the figurine in more depth; I began to take pride in what my eyes were seeing. Noticing how my graffiti artwork on the lampshades then placed on the African woman’s head felt like fantastical art because it depicted a more luxurious scene, albeit slightly surreal.
I imagined myself as an African woman and recalled what I saw in the ritual of attending church and weddings and wearing big wrappers that acted like gigantic fabric expressions of a crown. The look is awesome.
But what if there could be something like my beautiful cylindrical vessels (lampshades) that the African women could continue deftly carrying on their heads as they go about their daily life and l chores?
It dawned on me that perhaps my placing of lampshades with graffiti art on sculpture together is another form of fantastical black art. It is indeed my fantasy that those wonderful ladies I saw in Africa had something more glamorous as a vessel to carry on their heads. I would like them to freely cast away those horrible unimaginative plastic yellow buckets and go for something more considered in its design.
Those women are very entrepreneurial and perhaps like taxi drivers in London; they could get the carrying vessels of their future sponsored by local businesses, and a local creative person might be able to use top calligraphy skills and design competence to embellish their vessels with more beautiful graphics that become useful communication collateral for local businesses. Ultimately their new carrier vessel earns revenue through advertising the local firm.
I’m going to look into it and see how I can help. However, I wouldn’t be surprised if the women have probably already done it because African women are reported to be highly entrepreneurial. But I would like to get an insight into what African friends think of my fantastical black art (graffiti lampshades on African head sculptures) and the extent to which it reflects the 21st-century African and African women’s vessels they carry around on their heads.
Our teacher took us through some portraits this week in my art class. The usual classics were there for us to study composition, tone, paint strokes etc. But I was struck by how much I was drawn into Julian Opie’s work.
I’d never seen his work before, and I noticed how my eyes were pulled into pattern finding.
However, I took on the challenge of seeing what my marks and finish might be like if I painted in the style of Julian Opie. I initially thought it might be easy; perhaps I was being lazy, but when I realised the attention to detail demanded in getting the contrasting tones right. Another hurdle I had to surmount was the light and the dark shapes to make sure those correctly gave the impression of light and shade. I discovered in class that trying to do this using oil colour is another difficulty because Julian Opie probably uses acrylics. But never mind, it’s all practice.
This week I started a landscape. It was based on one of my popular IG posts where we had a spectacular sunrise in London on Monday. From the images below it is clear to see that I am not a photo realist. There is a touch of impressionism, pop art and fantastical influences in my marks. It reminds me of the comical quality of British painter Beryl Cook.
This week I joined my oil painting class. It was interesting to join an art class online. We use Padlet to share our work after taking pictures using our phones. I rather enjoyed experimenting with the different tones of yellow that could be seen and how the shade of the fruit was reflected in some of the shadows, and it was important to convey that in the paintings. What surprised me was how long it took for the oil paint to dry. But I’m learning how oil painters appreciate the wetness so that you can keep returning and doing this magical chemistry work with the paint.
I noticed the magic as I became mesmerised by the texture, getting colours blended to do the highlights. I was chuffed with the teacher’s comment that she noticed a great 3D effect in my work.
I was nursing that awful cough & sore throat that everyone in London has. It meant that I didn’t make anything this week. Instead, all I could do was lift a finger to order the oil colours that my new art teacher suggested the class buy.
Managed to get my order of oil paint medium
I was so sick that I wasn’t in the mood for painting in the class this week, but because it was an online course (oil painting), I could log in and meet my other classmates, see the setup and observe. They seem like a nice bunch from around the world including the USA. I like how the teacher wants us to show our painting on screen so that she gets the effect of looking over our shoulders. I find it fascinating what teachers can do in the online learning space.
Being a mutted observer for my online oil painting lesson.
I was so sick this week I completely forgot about the Friday evening class in abstract painting. However, I am on the mend and feeling less under the weather.
Photo by Louis Hansel on Unsplash
Next week I hope to join my art classes and show you more of what I’m doing.
It was surprising to realise how much of my art is influenced by the mid-century decor, 60’s culture and Mondrain.
Inspo 1: Wednesday Dances Watusi 1964
This year’s memorable Christmas activity was watching the Netflix Wednesday series back to back. Watching it on so many levels was amazing as it helped me recall the 1960s version of the Adams family, which I enjoyed revisiting over the holidays. As a dance enthusiast, I was keen to find my favourite clip of Wednesday Adam’s original dance done by actor Lisa Loring.
My view watching Wednesday Lisa Loring’s lesser-seen dancing clip
Episode: Lurch, the Teenage Idol (1965) Adams Family Season 1, Episode 33- Director Sidney Lanfield Wednesday (played by Lisa Loring) dances to Lurch’s new pop song at 5 min 55 seconds. This snip is a different version of the more commonly found clip. The above is my favourite and is often shown in goth GIFs and David Bowie memes without the original soundtrack.
Seeing the clip was joyful. It reminded me of watching it the first time with my younger sister and being closer to Lisa Loring’s age. At the time, my sister danced a lot like her, and whenever I see clips of Lisa Loring’s Wednesday dance, it brings back happy memories of being that young in the 60s. I’m sure that’s one of the reasons why the current 2022 production of Wednesday on Netflix is doing so well. You see. The new version of the viral Wednesday dance might be boosted because it is enjoying the nostalgic visits from the Baby Boomers and Generation X, who remember the original dance scenes being so poignant for them at the time. I wonder if they have thought of that.
Interestingly, my friend Janet said she had been watching the Wednesday show with her 13-year-old daughter and younger son, She said it brought the family lots of joy. It made us smile as it shows how the Netflix series has mass appeal. Janet and I further discussed (wearing our education experts’ hats on) how the subtext of the 2022 and the original 1964 versions of these shows seem to share a positive narrative about neurodiversity and the tolerance, acceptance and management of difference. I didn’t watch the ’90s version so cannot comment further on that.
Most importantly for my art practice, the research I did and revisiting of the old Adam’s family clips have helped, this week. The images below show how I was influenced to create monochromatic elements and embrace the mid-century look I had created. The crisp white of Wednesday’s dress collar and its oblique triangle shapes is particularly meaningful and is expressed in my paintings this week (on reflection).
However, further analysis of the underpinnings of my painting makes me think of another of my 1960’s cultural influencers—the artist Mondrain.
Inspo 2: Mondrain’s mid-century vibe
If you were to research contemporary abstract art, you get blogs and google results showing what contemporary abstract art is.
However, I’ve been practising my experimentation with contemporary abstract art. I’ve long been influenced by the artist Mondrian. I like his crisp lines, clear shapes and simple play with colours. Some of my earlier works were too much on the simple side, akin to Mondrain’s primary-coloured iconic squares and grids. When I was 15 and doing my Art A level I recall my art teacher remarking how some of my work was like Mondrain. Below is a snap of some textile designs I created possibly influenced by Mondrian’s works. But at 15 I was probably more influenced by others that were influenced. It wasn’t until my art teacher saw my work that he introduced the artists to me. See below
Screen grab of Google search Mondrain
My 45 year old textile design influenced by Mondrain
Recently, I’ve started a series of abstract shapes on a strong colour-drenched background with contrasting curvy forms and deep consideration of using analogous or complementary colours.
My contemporary abstract art inspired by 60’s cultural icons. Acrylic on canvas boardMy contemporary abstract art inspired by 60’s cultural icons. Acrylic on canvas board. My contemporary abstract art inspired by 60’s cultural icons. Acrylic on canvas board
I love the combination of sharp and curvey shapes I created. These works show more of the training and reflections I have done recently. I’m looking forward to completing this series and listing them in the shop in the new year by 3rd January 2023. Being able to reflect on my 1960s cultural influences for my paintings is helping to give meaning and express the significance of my work. I never thought I was a mid-century enthusiast, but it seems to be leaking out. My age means that the 1960s, and 1970s did inform my aesthetic principles, perhaps more than I was prepared to admit. But I am happy to do so now. I guess my retrospective journey has led to some fantastical pieces.
Thank you for following my blog thus far. I wish you a happy new year and all the best for 2023. I look forward to interacting with you further down the road.
My art classes for drawing and painting ended last week and inspired a new focus in my portrait paintings.
I noticed the extent to which I’m interested in the deeper anatomical elements of the skin. For instance, I noticed I spent a lot more time than others in the class on the intricate details of features such as thread veins and fine lines.
While mixing the different colour skin tones, I got the idea of potentially using my cosmetic chemistry insights and knowledge to develop a series of figurative paintings in future. I will link back to this post when I have done the paintings influenced by insights I gained this week.
Home Office Charm 
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