Putting Skin in My Art Game

I was thinking back on the course I did at CSM this week. Those thoughts helped my plans to integrate paint skins into more of my pieces.

I tried to review at least three of the big famous artworks that use skin, but I got distracted by the work of Frank Bowling. Tate. Arts seem to think he does it, and I need to investigate further. Perhaps it’s that he uses canvas-like skin. I still need to read more of that very long paper.

Continue reading “Putting Skin in My Art Game”

The Freedom of Fantastical Graffiti Lampshades

I’ve started to integrate my two arts. In psychology, that’s a good thing to do to become whole. But I thought about that after and not before I did it.


I have integrated my graffiti art onto my lampshades. They look rather cool. I noticed my curly cursive writing when using paint and how it has a unique style of its own despite my dyspraxia dyslexia which allows the lines and the curves to take on another life of their own.

I was also inspired by a question in our Facebook group for lampshade makers. Someone had asked how to display the lampshades when they go to fairs. This question comes up often. The idea to use mannequins to display the maker’s lampshades came up, and I scoffed at the response, thinking it was that gimmicky, and I couldn’t imagine how that might look. It might look hideous and distract from the shades for the person asking. And I also thought that lagging the mannequins around and putting them together at the fair was difficult.

The person had large shades about 30cm 40 cm wide, and ultimately, the look would have been very Ascot-like, as if the manikins were wearing wide-brimmed hats.

Then I didn’t think about it again until I had to take some images for my 15 cm lampshades for the desks of stylish professionals and their statement yet cosey task lighting. I was searching for inspiration and realised that sitting across from me was a head figure I bought from a trendy interior designer, Abigail Ahern’s shop. I promptly placed one of the lampshades on the statue, which did seem like sacrilege a bit at first.

However, after some thinking about it, I realised how fitting and natural it was., Seeing a statue of a magnificent African woman or woman with African heritage with a tall cylindrical object on the head reminds me of what I saw when I visited Africa. I travelled on a Kenya safari and spent some time in Nigeria for work. Seeing a magnificent woman walking around with a cylindrical bucket containing water, shopping or goods for the markets on their head was normal. But it always pains me that the cylindrical buckets the African women (children too and young men to a lesser extent) normally have on their heads were often some garish yellow or blue plastic unimaginative vessels.

A local woman smiling for the photo” by Peace Corps/ CC0 1.0

Looking at my graffiti lampshades on the figurine in more depth; I began to take pride in what my eyes were seeing. Noticing how my graffiti artwork on the lampshades then placed on the African woman’s head felt like fantastical art because it depicted a more luxurious scene, albeit slightly surreal.

I imagined myself as an African woman and recalled what I saw in the ritual of attending church and weddings and wearing big wrappers that acted like gigantic fabric expressions of a crown. The look is awesome.

But what if there could be something like my beautiful cylindrical vessels (lampshades) that the African women could continue deftly carrying on their heads as they go about their daily life and l chores?


It dawned on me that perhaps my placing of lampshades with graffiti art on sculpture together is another form of fantastical black art. It is indeed my fantasy that those wonderful ladies I saw in Africa had something more glamorous as a vessel to carry on their heads. I would like them to freely cast away those horrible unimaginative plastic yellow buckets and go for something more considered in its design.

Those women are very entrepreneurial and perhaps like taxi drivers in London; they could get the carrying vessels of their future sponsored by local businesses, and a local creative person might be able to use top calligraphy skills and design competence to embellish their vessels with more beautiful graphics that become useful communication collateral for local businesses. Ultimately their new carrier vessel earns revenue through advertising the local firm.

I’m going to look into it and see how I can help. However, I wouldn’t be surprised if the women have probably already done it because African women are reported to be highly entrepreneurial. But I would like to get an insight into what African friends think of my fantastical black art (graffiti lampshades on African head sculptures) and the extent to which it reflects the 21st-century African and African women’s vessels they carry around on their heads.

Video post: Experimenting with textures and colour grounds

This week I upgraded to allow video posts. Here you can see what I painted this week and listen to my voice as I talk through my art pieces.

Neon Acrylic and impasto on paper

Below is an example of rougher textures. I like the juxtaposition of rough or matt against smooth and glossy to show contrast and tension.

Mixed media sand in acrylic and gel gloss on paper

Starting Nano Neon Abstract Paintings

I made a start on a new collection this week. It combines some graphic figures and abstract work. They are on a background of white and have neon and gold iridescence for a fantastical piece that has everyday significance.

I love how the light affects neon colours. They are great for bringing cheer and playfulness into my art. They’ll look amazing in a beach house or sunny climate. I’m halfway through finishing these, and when they are ready, they’ll be in the shop soon.

Neon Abstract from a life drawing in charcoal during speed poses. It is becoming a piece related to body dis-morphia