How Bruce Springsteen Inspired My Creative Process

I’ve just seen the Bruce Springsteen biopic (Deliver Me from No Where) at my local cinema (Act One). I rushed out on Friday straight after work to see it, catching the early evening show starting at 5:40.

Just one other person was sitting in screen one. Or was it screen two? I was delighted to have the screen to ourselves. Yet I was still worried about disturbing the person in the next row with the rustle of my crisp bag. Although we had the screen to ourselves, I noticed how Act One Cinema is buzzing these days. They had a sell-out event in the lounge. I expected to see a fuller theater. I began to wonder why there weren’t more people attending. There were only two of us watching. This turned out to symbolize a parallel experience to the main story in the film. We were two lone viewers watching the film about Bruce Springsteen’s solitary segment of his journey as a songwriter. We were thus not alone.

I imagine that the film’s marketers would say that I might not be a typical fan of The Boss. This is because I am a 60+ black British female. I deduce this because I rarely see people who look like me in the video glimpses I catch of him singing to his massive audiences. But. I’ve always loved the Rolling Stones. I have even been to their Hyde Park concert in the early 90s. Nevertheless, I never went to a Bruce Springsteen concert.

I received the Act One cinema newsletter announcing the film. Instantly, I wanted to see the movie and booked it.

The ticket booking then took me on a nostalgic journey. I remembered days playing some of Springsteen’s popular tracks on a couple of albums. This was while I worked in Qatar many decades ago (early 80’s). We played Springsteen tunes at dizzy expatriate parties.

I also played his album during moments when I felt alone there. The songs provided comfort when, as a 22/23-year-old, I was far away from home. Many of his lyrics expressed my feelings about home. They made me realise I missed my home folks. They also highlighted my need to celebrate identity. I felt this way even though I wasn’t born in the USA. During those lonely times, Bruce Springsteen’s songs made me feel connected and uplifted.

unmemorable purchase

When I think about buying the album on cassette, I now wonder if it wasn’t a knockoff from the souk. Or perhaps it was an acquisition made during a frenzied shopping moment at the airport duty free. This could have been during one of the trips we did to Dubai or Bahrain. I certainly didn’t buy the Bruce Springsteen album in a cherished way from Tower Records. It wasn’t bought from HMV on Oxford Street. And it definitely wouldn’t be a connoisseur-like buy of a vinyl album. Back in those days, vinyl was what your dad’s music collection was on. Cassettes were the thing in the 80s.

The no Bruce years

When I came back to the UK in 1990, I don’t think I played any more Bruce Springsteen tracks. I recall one cheeky friend critiquing and questioning why I had Bruce Springsteen in my music collection. Then yesterday, I listened to the Nebraska track on Spotify. I was inspired to do this after watching the movie on Friday.

Making sense of the story

This morning, I watched a review of the Springsteen film on YouTube. It was by Mark Kermode and Simon Mayo. They, too, seemed to enjoy watching the film. The reviewers wondered whether the film that was centred on a specific part of Bruce Springsteen’s life had mass appeal. They thought it might be too nerdy among a couple of other things.

I can answer their query by saying that the film did indeed appeal to me. This is true even though I am outside the artist’s obvious main catchment group. I found observing the film’s depiction of Bruce’s creative process mesmerising. It was also very connecting. It really gave me a boost and encouragement around my own creative process. I resonated with the solitude and deep reflection shown in his music writing. He makes cultural connections using TV, film and news. His songs also draw from architecture and childhood memories. These inspirational elements resonated with me. Bruce Springsteen helped me feel less alone about my creativity once again. This time, it concerns the journey and who should be there in my creative process.

Antecedents to the creative process

In the film, there was also an important piece about subconscious messages and depression. It explored how the creation is the product of those surfaced thought processes. It made me recall something interesting I had read. Theresa Amabile, a creativity professor at Harvard, reminds us that Freud said creativity is the sublimation of repressed complexes.

I particularly connected with the character and musician in scenes where he was searching for his dad. His dad was hearing voices and undergoing mental health challenges. Additionally, dealing with the worry of family members taking their medication was significant for me. It resonated with me. I also went on a journey to find my dad. He faced mental health challenges, too. The film depicted a paradoxical longing for family or home town connection. This longing persists despite being fearful of what you might find when you draw closer. It also showed the physical sickness and nausea felt when we draw near to the conflict. It is a terrifying task that is at hand. The complexities in the relationships with the people we want to support add to this challenge. The film depicted the mess and tensions around these fraught relationships well.

The sickness scene when he was driving to LA matches my memories. I remember using the sick bag on the plane returning to the UK. It wasn’t because of eating something bad. It was due to fear of reconnecting with my old town (London) and family.

My small series of poured-ink paintings and poured art conveys the complex, messy feelings about belonging. Figuratively, these also show the sickness and tensions felt in navigating relationship conflicts on the journey towards achieving psychological safety.

The above shows two segments from my series of poured paintings using alcohol inks or acrylic inks

I’m planning to create a set of stationery and training/meeting room desk decor from these poured paintings. Follow to learn about when these are released. Thanks for reading thus far.

Have you seen the film yet? What did you think?

Autumn reflections on the summer of Transforming Paint Skins into Unique Jewellery, Alcohol Ink art Experiments and asserting my statement

Even with a busy 9-5 schedule, I’ve managed to find some time to experiment. I focus on recovery and taking care of my well-being during downtime. I’ve experimented with creating new items, like transforming my paint skins into brooches, necklace pendants, and cuff links.

I’ve also been painting with alcohol inks and love the wispy ethereal abstract results I get.

I’ve started to understand the ethos of my mark-making. This allows me to start asserting the components of an artist statement for my creations. It’s all about providing an opportunity to focus on the mess.

What do you think about choosing art that portrays the reality of messy situations vs clear, crisp representations of things? It speaks to my critical realism.

Telling their Stories in my product photography

I’ve realised that product photography needs a story and an artist. I found that product photography needs to be approached like a painting; there is creativity and artistry to behold. So this week I was making decisions about the story behind my by-products and the kind of story my buyers would like to see.

The story is for the adventurous and about charting new ventures and horizons while keeping a reflective eye on the past.

My buyers are unique individuals; they subscribe to goth, dark academia, light academia, steampunk and heirloom. I also note they are comfortable with maximalism and the odd bit of quirk here and there.

I found it worth exploring new setups with product photography this week. I was also inspired by those food stylists that deconstruct a blueberry pie and trickle crumbles of pastry and jam on the table because they sign up to the messy, over-the neat minimalist vibe.

Below is a sneak peek of behind-the-scenes setups I was playing with. They are not out yet. I’m curious to know what my product photography teacher thinks of them. As I clicked away, I thought, at least he’ll see I’ve been trying. It’ll give him something to discover about me to help him understand what I need to improve. But I’m inspired by seeing the photo like a painted canvas. I can work with that.

A whole load of new shades are being uploaded this weekend. Wait till late on Sunday to look at the shop or even late Wednesday evening.

Urban winter sunrise inspires blue & yellow landscape in oil

This week I started a landscape. It was based on one of my popular IG posts where we had a spectacular sunrise in London on Monday. From the images below it is clear to see that I am not a photo realist. There is a touch of impressionism, pop art and fantastical influences in my marks. It reminds me of the comical quality of British painter Beryl Cook.

Three-dimensional effect oil painting

This week I joined my oil painting class. It was interesting to join an art class online. We use Padlet to share our work after taking pictures using our phones.
I rather enjoyed experimenting with the different tones of yellow that could be seen and how the shade of the fruit was reflected in some of the shadows, and it was important to convey that in the paintings.
What surprised me was how long it took for the oil paint to dry. But I’m learning how oil painters appreciate the wetness so that you can keep returning and doing this magical chemistry work with the paint.

I noticed the magic as I became mesmerised by the texture, getting colours blended to do the highlights. I was chuffed with the teacher’s comment that she noticed a great 3D effect in my work.

Getting Ready: Oil Painting &Abstract Term

I was nursing that awful cough & sore throat that everyone in London has. It meant that I didn’t make anything this week. Instead, all I could do was lift a finger to order the oil colours that my new art teacher suggested the class buy.

Managed to get my order of oil paint medium


I was so sick that I wasn’t in the mood for painting in the class this week, but because it was an online course (oil painting), I could log in and meet my other classmates, see the setup and observe. They seem like a nice bunch from around the world including the USA. I like how the teacher wants us to show our painting on screen so that she gets the effect of looking over our shoulders. I find it fascinating what teachers can do in the online learning space.

Being a mutted observer for my online oil painting lesson.


I was so sick this week I completely forgot about the Friday evening class in abstract painting. However, I am on the mend and feeling less under the weather.

Photo by Louis Hansel on Unsplash


Next week I hope to join my art classes and show you more of what I’m doing.

Photo by Behnam Norouzi on Unsplash

Character as the X factor in portrait paintings

Less beautiful people make the best models. This week I discovered how people with more character in their faces contribute to making the most interesting paintings.

This picture is about a life model who had a very amazing head shape. In this painting, I am halfway through and hope to have finished it next Sunday.

I still have fine hair details to include and I must get the interesting skin tones and textures sorted.

Only time will tell whether I manage to do justice to this man’s interesting face. Whatever the outcome I shall post my result in a future post.

Initial Ideas: One

I’m creating a collection of small finely painted works that contain expressions of the alphabet.

Here are the first 10. Further blogs will have letters J through to Z.

These delightful small oblong paintings with initials might make lovely gifts for those wanting monograms in art. Or these are great for people WFH and they want their initials for their surname displayed on their bookshelf.

Well-manicured: Perfecting my brush strokes

In an earlier blog, I complained about how I wasn’t happy with the brush strokes on the green sauce boat. https://wordpress.com/post/homeofficecharm.com/2811

Since then I spent some time practising what I said I would do and remembered that inner manicurist in me. Thus I imagined that I was painting a very fussy client’s fingernails. That seems to do the trick because keeping the medium and paints nice and light and thin and applying several thin layers help me to create a lovely glossy transparent look. It appeared to be like the glossy effect of the original sauceboat

Getting gloss medium layers right

Top tip: I might inspect more paintings for the brushstroke work. It never occurred to me how much time and effort should go into getting the painted effect I want right. And thanks to my old career in beauty therapy and those manicures, french polishes I did I can gain confidence in my painting brush stroke techniques.

Colour scales & tone

I got painting in colour this week. The still life got me to experiment with light and shadows.

I did the shadows and dark s without using pure black on the page but instead using primary colours to create a neutral. That dark neutral would also create a lovely grey when white was added to it.

The poor man’s pour in sky and sea blue

NoFor these painting ideas I used the pour method. But I have to admit it was the poor man’s pour because I haven’t got silicone and all kinds of oils to create cells .

So instead I used water and just wind as I gracefuly waved the painting around so that the liquid paint would just move languidly along the surface of the paper.

During this mesmerising time I watched as the trickles move down the sheet. On noticing the decorative dynamic I would be wondering what shapes they would make.

But hey presto the colours of sky blue and sea blue themselves nicely unite to form one of those popular wave scenes that we often see in acrylic pours.

I also did a bit of digital modification of my painting. See below. You see I discovered that with my new fangled phone I’m able to create artworks albeit basic but digital artworks just by using my thumb and finger and the different kinds of tools that the drawing app provides. I was pleasantly surprised to see that I was able to create more original work by blending my traditional acrylic painting skills with the more modern digital art technology that you can find on your mobile phone. It has helped me capture the drama of stormy seas and how vulnerable I would feel in a boat. I guess it is a nod to the need to respect the sea. These sea waters can look beautiful while being dangerous at the same time.

A study in blue and lime: Acrylic painting

So I had this idea to do a painting with just blue shades. In fact I wrote this bit before I started finding the colors.

The other idea I had was to do one in lime as Elle Decoration said that lime is the colour of the season so here goes.

So these are done with a mixture of acrylics and fabric paints and I used some acrylic pouring technique in the center to get a mottled look with some of the golds and greens.

IMG_9443
Using mascara brush and pouring technique with gold and blue acrylic to get some interesting marks. Created by Earth Shine Arts

 

 

 

Buds of gold: Floral like abstract acrylic

This time last week, I brought this painting home. You see I had joined a deep art work project. I think the philosophy is about the functionality of art. But some of them described it as going deep into the painting and just switching off from the outside world, no distractions, they said and not phones. I kind of took that as my signal not to chat and paint at the same time. So I went deep ( you could say) into creating this with my fabric paints and some acrylics i had to hand like true red (which looks like magenta) and gold metallic.

Golden bud picture

When it can time to pass around the Minstrals (chocolate button sweets for sharing) then it seems were were able then come out focus to talk.

Many said they liked this. I rather like it too.

You see the day before I had learned how to do the special I painting method and how to put the colors together so that there was balance and an appealing composition. So far my learning about doing acrylic art paintings seems to be working. I think this is my favorite of all the pieces I have done so far.

Next time I shall use less fabric paint and more acrylic. But the mix is interesting as fabric paint gives a flat matt finish which helps the gloss of the acrylic and metallic gold stand out.

 

 

 

Taupe, black, rose gold painting

I just finished this piece so that it will match my cushions and curtains.

In this piece, I layered the paint out on a base of red and then built up the colours, textures and shapes. I managed to create lovely rose gold. It was all to echo the beige/ taupe black and white pattern in my upholstery.

I took in what I learned from two professional acrylic abstract artists who sell their work for £300. And the up-cycling elements used were the brushes. Blusher brush for the black for smooth light application. Eyeshadow fan brush and eyeliner brush for the other colours.

But I was surprised at how oriental the piece ended up looking. Although there are some similarities between the painting and the cushions/ curtains. The painting seems to have an identity all of it’s own. And I am very glad for that.