Why Painting Julian Opie Simplicity is Quite Hard

Our teacher took us through some portraits this week in my art class. The usual classics were there for us to study composition, tone, paint strokes etc. But I was struck by how much I was drawn into Julian Opie’s work.


I’d never seen his work before, and I noticed how my eyes were pulled into pattern finding.


However, I took on the challenge of seeing what my marks and finish might be like if I painted in the style of Julian Opie. I initially thought it might be easy; perhaps I was being lazy, but when I realised the attention to detail demanded in getting the contrasting tones right. Another hurdle I had to surmount was the light and the dark shapes to make sure those correctly gave the impression of light and shade. I discovered in class that trying to do this using oil colour is another difficulty because Julian Opie probably uses acrylics. But never mind, it’s all practice.

Character as the X factor in portrait paintings

Less beautiful people make the best models. This week I discovered how people with more character in their faces contribute to making the most interesting paintings.

This picture is about a life model who had a very amazing head shape. In this painting, I am halfway through and hope to have finished it next Sunday.

I still have fine hair details to include and I must get the interesting skin tones and textures sorted.

Only time will tell whether I manage to do justice to this man’s interesting face. Whatever the outcome I shall post my result in a future post.