Where art meets meaning, and your space meets you
Thoughts, insights, and moments from my creative and professional journey. the reflections that shape my art, my work, and the way I see the world.
What advice would you give to your teenage self?
Sometimes I feel I have put off nurturing my creativity for too long. Other times I think it was seen in other parts of my life, like photography and property development.
My recent efforts with oil paints have highlighted the many choices I still must make around my style and my medium of choice.
I shall post an update on this painting when it is completed.
Urban Rooftop Landscape Oil Painting the Making
Our teacher took us through some portraits this week in my art class. The usual classics were there for us to study composition, tone, paint strokes etc. But I was struck by how much I was drawn into Julian Opie’s work.
I’d never seen his work before, and I noticed how my eyes were pulled into pattern finding.
However, I took on the challenge of seeing what my marks and finish might be like if I painted in the style of Julian Opie. I initially thought it might be easy; perhaps I was being lazy, but when I realised the attention to detail demanded in getting the contrasting tones right. Another hurdle I had to surmount was the light and the dark shapes to make sure those correctly gave the impression of light and shade. I discovered in class that trying to do this using oil colour is another difficulty because Julian Opie probably uses acrylics. But never mind, it’s all practice.
Making my life difficult wit oil on canvas board
Mixing the shades and tones
Less beautiful people make the best models. This week I discovered how people with more character in their faces contribute to making the most interesting paintings.
This picture is about a life model who had a very amazing head shape. In this painting, I am halfway through and hope to have finished it next Sunday.
I still have fine hair details to include and I must get the interesting skin tones and textures sorted.
Only time will tell whether I manage to do justice to this man’s interesting face. Whatever the outcome I shall post my result in a future post.
In London this week we had two big exhibits. Decorex and Frieze were on this week.
Wednesday, I popped into Decorex ( the interior designers’ top show) and found they were showing three big design trends with lighting. The new styles included natural lampshades, ethereal and fantasy. Below are some photos showing those themes. It was showing in Olympia London, and I felt very at home, since I am from the locality. It was my first time going to Decorex, and I got inspired to do a booth there in future as I was inspired by a small cushion maker’s tiny booth. That could be me, I thought. Not particularly making cushions but instead offering my items to the interior design trade.
The second show was Frieze which according to the tour guide “is the Hollywood of the art world”. It was beautifully set up in Regent’s park. I was very impressed. Slightly overwhelmed and a little bit intimidated at the beginning.
It was great to see so many giant paintings. Some cost £300,000 to a million. Others cost about £6,000. Our guide told us about the process of the gallery pitching then a selection panel decides which work to exhibit. The dominant theme this year and recently is about showing consciousness. There were fewer north European artists and more artworks from voices we don’t always hear about, like native Americans, Vietnam and Brazillian. The underlying themes also had much to do with sustainability, social good, or responsibility.
I’d like to attend next year and will plan to make a whole day out of it with a nice lunch and make it more social.
I went back to basics and relearned drawing, and the strategies used to perfect the representation of the figure.
I learned the intricacies of negative space and what it is used for. I also learned the aligning with a kebab stick. And top tip note to self remember to imagine there is a plate of glass in front of you.
I also learned to insert scaffolding in the drawing to ensure you get the proportion right. All the things they didn’t teach me when I worked towards my A’level art all those decades ago. At least I cannot remember them teaching me. Perhaps when I was aged 15,16,17, I wasn’t listening to what I was taught. But the pictures below show.
I am listening now.
I am listening now to instructions about getting the proportions and balance of my lines right.
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