Material Abstraction and Belonging: A Visit to the RA

Last week I spent a quiet morning at the Royal Academy. It was one of those visits where you do not go to see art so much as to feel something shift inside you. I filmed a short piece for YouTube called Finding Space at the RA, capturing a moment of stillness in one of the galleries. It was not planned, scripted or staged. It was simply a pause, a breath, inside a room full of colour, texture and human intention.

As someone who works with paint skins, dimensional surfaces and the emotional life of modern work, I am always drawn to spaces where art creates a kind of psychological room. I have been exploring where my work sits in relation to artists like Angel Otero or Kennedy Yanko, and the RA visit helped me feel that connection more clearly. The RA does this beautifully. Even in the busiest exhibitions, there are pockets of quiet where the atmosphere changes and you can sense your own thoughts rearranging themselves.

This visit carried another layer. I have been exploring where my own practice sits within the wider field of material abstraction, especially as I search for other artists who work with skins, poured surfaces and dimensional paint. Walking through the RA, I found myself noticing affinities. The way certain works held space. The way colour behaved under light. The way material choices shaped emotional tone. It reminded me that belonging is not always about finding exact matches. Sometimes it is about recognising echoes.

That is what I wanted to share in the short video. The feeling of stepping out of the noise and into a space that holds you differently. A space that softens edges. A space that lets you think, and lets you locate yourself.

In my own practice, I am exploring how colour, materiality and dimensional surfaces can create that same effect in everyday environments. Meeting rooms, workspaces, places where people gather to make decisions. The RA visit reminded me how essential these moments of spaciousness are. They are not decorative. They are not optional. They are part of how we stay steady, present and connected in the rhythm of working life.

If you haven’t seen the YouTube Short yet, you can watch it here: Finding Space at the RA

I will be sharing more reflections like this. Small moments, quiet observations, and the ways art helps us navigate complexity with a little more clarity and warmth. Sometimes the most meaningful shifts happen in the pauses.

Why this matters

In leadership development and executive learning, we talk a lot about clarity, presence and psychological flexibility. These qualities do not appear out of nowhere. They are shaped by the environments we inhabit. Art can create the conditions for better thinking. Calmer nervous systems. Softer interpersonal edges. A sense of groundedness that supports wise decision making.

If moments like this resonate with you, you might enjoy the chromatic material pieces I am developing for workspaces. Functional sculptures, paint skin lighting and dimensional surfaces designed to bring clarity and emotional presence into everyday environments.

And perhaps most importantly, I left the RA feeling encouraged to submit next year. A small but meaningful step in claiming my place within material abstraction, and continuing the search for where my work belongs.

Botanical Mesmerisation

Here is is one picture series for the product showcase, ideally. But these images of new pieces of work are placed here for now until I get my new laptop and can access the product showcase part of my blog again. I’ve already asked WordPress about such a strange anomaly, they said they’re working on it.

Blogging via phone 🤳🏽 the last few months has been interesting but it has its limitations. Nevertheless it’s a short one this week to give my thumbs a rest.

Main message is that I love plants and it shows up as if by magic in my art.

Continue reading “Botanical Mesmerisation”

Abstract Saturday/ Sunday

Below is a collection of paintings and initial drawings I did at the City Lit Abstract Painting Weekend Course. It was fun. There were lots of other painters there.

Some of us ate at Itsu Covent Garden on the pavement at lunch and watched as the Free Masons tried to recruit more members from people (men walking by. Our lunchtime vista was a strange mixture of men wearing dark Crombie coats, hell’s Angels, and a couple of Harley-Davidsons on the pavement.

Perhaps that inspired me to create this really feminine piece of work below. Some of the feedback in the crit was that I have a really light hand. I felt light creating it, so that was nice to hear.

Continue reading “Abstract Saturday/ Sunday”

Blue and green 3D subconscious painting that never should have been seen or heard

Surprisingly I painted this one while on the phone to my friend Frances. We were gossiping away and I had her on speakerphone and my hands started drifting over to the paints and brushes. While painting I didn’t want her to know that I was distracted so I was keeping my efforts quiet (but that wasn’t hard to do).

I was surprised that by the end of our conversation I had finished two paintings. The other one is in the next post. When I told her what I had done, she said oh you were multitasking.  I later realized I was doing a subconscious painting  

I also read that this process is called automatism I was painting using intuition and not letting my conscious thoughts about colour and form get in the way too much. Which is why  I was surprised that I did put blue and green together. I saw how the forms of flowers and a definite landscape are starting to came together easily too, which challenged me as I always thought I was better at abstract. I never really wanted to paint flowers, meadows and sky, but that’s what came out when I wasn’t thinking to much about what I was doing. Interesting…

I also, in that stroke of madness cut open a lavender pillow (that I had made for my Etsy shop) and sprinkled the dried lavender content where my subconscious thought it was necessary to be on the painting.

I’m rather pleased with the finished product. It has a 3D side to it and smells of rose petals and lavender as well as looking pretty enough to adorn a cushion pad for a grand conservatory.

I’m starting to think about turning my paintings into home decor items. So a couple days after I finished this I was road testing how this image of flowers and some collected in a golden vessel would feel as a statement cushion cover.