But recently I was impressed when I visited one major international corporation in the business district of London and saw a well thought out design scheme for delivering learning.
The whole space and training rooms were all thoughtfully designed to inspire and lock in the learning and development of their talent. Read the captions in the images below to discover how the design details support learning.
Whiteboards that run the length of the room.A functional mix of fabric and glass for soundproofing and capturing thoughtsRest and digest areas have words of inspiration and empowerment enshrined
The designers of this training space clearly recognized the importance of walls for facilitating learning. They understood that walls play a crucial role for trainers and corporate instructors in enhancing the educational experience.
This week’s photo blog showcases the impact of wall decor in corporate training room environments. From functional and stylish fittings to the carefully crafted calligraphy on the walls, each element contributes to creating a memorable impression and inspires innovative ways of working.
We can take some of these ideas and incorporate them into our home office wall decor. For instance, having a large poster with inspirational quotes can serve as a personal reminder of how we want to work. Additionally, when planning the treatment of our walls, why settle for plain paint? Consider creating a space that includes a glass panel for chalkboard sessions with your team. This setup encourages more interactive meetings and gives leaders and managers a reason to turn on their cameras and engage effectively.
I visited a beautiful training room this week but it was hiding several problems. The issues found made me want to share some tips on training room design for architects, interior design team, facilities managers.
The beautiful training room I visited had fancy comfortable seating, very nice wide desks on wheels, natural looking carpet all the modern technology with two big screens in the front that I could can easily log onto. There were also two beautiful side cabinets storing other trainer’s accouterments like post it notes, marshmallows. There was even room for me to store my coat and bags to keep the room tidy.
Image created with AI based on the word in this post
Style over substance: The impractical training room layout
However one thing I noticed about the room, even though it was large, was the lack of circulation space. The session was originally booked for 14 max but they thought they’d squeeze another two people in. This meant that arranging tables in a U shape pinned everyone to the walls leaving a large expanse of space in the middle. This is not conducive to group working because no one could move around easily.
Style over substance: Training room walls that would not stick
This beautiful training room had deep sage green walls stylishly painted up to seven eights of the wall with a coordinating ivory colour for the last eighth and the ceiling. It reminded me of a beautiful cosey shaker style kitchen. But when it came to me sticking full flip charts up to remind learners of the points we had covered so far it could not be done because the walls seemed to be anti tack. I guess somewhere in the building’s history the facilities manager got fed up of trainers using blue tack to stick things on the walls.
Having anti tack walls is understandable if you have previously spent loads of time and resources getting the cleaners to remove blue tack using the recommended direct heat like a hairdryer on the blue tack itself.
But having anti tack walls creates a corporate learning & development and organisation development problem. You see we trainers need the walls to showcase learning. To show case learning is to have a tangible artifact of ideas generated in the session and that is more than one flip chart stand can do.
We show case learning in the corporate training room in various ways. We typically (display gallery style) the completed flip charts that everyone has done. Learners throughout the day then reread what some of the ah ha’s and moments of epiphany are within the room at moments that suits them. It helps to reinforce diversity in learning & development.
We use the wall to display analytical and creative thinking when working in a group. Walls help to magnify the writing space. Walls expand the written canvas from the individual’s perspective out to the group’s perspective.
Therefore a training room festooned with used flip chart pages and written on post it notes from brain writing sessions, or creation activities or problem solving sprints serves as visible and physical evidence of the individual and group learning work that has gone on in that room.
I’ve seen great examples of corporate training rooms as I travel around the world delivering leadership and management development . The more advanced training room decor takes account of trainers/ instructors needing to use the wall by replacing the inner walls with glass panels and providing white tack for the rest of the walls. .
Glass walls are then perfect for sticking sticky flip chart or post it notes to the walls. I’ve also seen other kinds of vinyl decor panel used. Learners can even write directly on the glass walls, which support creativity and enhances the problem solving process.
But ultimately it would be great if corporate office training room designers could consider installing more white boards and screens so that opportunities to showcase learning is on all four walls, without the need for desks.
Image created with AI Prompt corporate training room like featured image but with screens one windows and all walls with glass wall looking out to greenery and big plants internally. And comfortable seating for eight.
Leadership and management development consultants/instructors and trainers are now in an era where, we no longer want to get managers in a room where they just sit and stare at one square light at the front of the room for six hours.
Image created with AI prompt corporate training room in U shape without desks
We no longer want executive development shaped by the the training room’s limitations. Indeed some of the problems that companies face with with building inclusive working, collaboration or the depth of thinking that is required might be down to the amenities of the training room. The training room is a visible cultural artifact subtly symbolising “the way we do things around here”.
How professionals can make training rooms add value
We now need interior designers and architects of corporate headquarters, campuses and head offices to show deeper consideration of the design of the corporate training room. See my top 10 tips as a summary of this post.
10 Tips to Improve Training Room Decor & Design
Room aesthetics are important but should not devalue function
Create a room with a view of nature
Design in glass panel walls to showcase learning
Plants are nice for oxygen and neuro-aesthetics
Cabinets could be built into walls so they don’t get in the way of circulation space needed for group work
Integrate screens on three walls
Install whiteboards on three walls (if no glass walls)
Design, plan and build writable four walls
Enable table or desk free room for management development suites and executive development zones
Always consider how the training room acts to symbolise the desired culture
Please follow for more. Each week for the rest of 2024 I shall be visiting corporate training rooms of all shapes and sizes up and down the UK. I will post more ideas about best practice and ideas for improvements to corporate training room design, decor and space planning, in the weeks to come.
Comment below on your good or bad experience of corporate training room decor.
The AI created the feature image based on what it read about the blog. The four images above are what I took myself. Other parts of the blog show examples of AI generated images to create design scenarios.
It’s amazing how inspiration for decor can arise in unexpected places.
Some of the gardens and Ashridge house
Intricately carved wood paneling
One of the sitting rooms as Ashridge house, showing beautiful decorative carvings
Hopefully these images give you ideas for moving beyond the straight lines and grid forms in wood paneling for your library decor.
This week’s AI generated featured image gets an 8/10 it resembles the mess when you are doing product photography.
This week, I was reminded of my academic interest in the Journal of Organisational Aesthetics, which comes out of the highly lauded Tavistock to explore how human senses and artistry inform businesses and many other company practices found in charities and government.
Since I currently work at the intersection of art and organisational behaviour creation, I thought my take on organisational aesthetics might be unique and was looking forward to presenting a couple of papers to this scholarly community.
However, I later discovered that the very thing informing the presentation of my art practice is mostly from my experience in my first career, where appealing to the customer’s five senses was what we were all about in the world of the five-star spa.
I had an intense weekend. Synthesizing a range of ideas in re-doing some product photography. I had to fit in with Etsy’s new rules for sizing from listening to some of their reasserting of the preference of the algorithm for light backgrounds, in pictures. I also had to remember what my shelf styling class taught me about arranging items with natural materials. Additionally I integrated what the product photography coach said about getting good lighting with proper window positioning and using tools to get filler light to remove shadows and cast secondary light on areas of the product. Those are the three main main pieces of aesthetics advice that Etsy sellers get. It’s given as a recommendation of appealing to customers and selling more items. And the practice would appear to be in the thick of organisational aesthetics, however the scholars do say they distinctly focus on beauty for the sake of engaging the senses and not just for profit or sales.
I dug deeper into what organisational aesthetics might mean to me and the art I do and how I present it. I asked myself:
Q: What is this Aesthetic that I create and cannot avoid repeating? Where does it come from?
A: It comes from within and some of it might be the imprint of your spa and beauty years.
Hidden Letters: Purple Haze Abstract Mixed Media against lighter background.
Poured pain skin presented around a table lamp frame.
Hidden Letters Beach Blue: Abstract Mixed Media against lighter background.
Hidden Letters: Orange haze Abstract Mixed Media against lighter background.
After a few struggles and wondering why my arrangements do not look corporate in the slightest, no matter how many books and staplers I insert. I then realised my style comes from an imprint from my early career induction into the interior design and decor values of five star spas, Mayfair clinics/ treatment centres head offices and London’s West-End retail (my first proper Saturday job was Miss Selfridge in Knightsbridge).
It also dawned on me that this is a group (except the West End retail) that might welcome some help. I remember being a sole trader in my city of London treatment room, unsure how to fit out the space I was renting. However, my friend Rachel helped to wallpaper in Timinney Fowler and fit the blush-coloured carpet at the reception. I just had a flashback of getting the electrician to install a gothic lamp and fill up our IKEA cabinet; it would have been nice to have someone to discuss shelf displays that might make the products look more appealing through storytelling other than piling the boxes boxes of moisturiser and serum high.
If you are an independent trader or sole operator in the beauty and spa world and agree that product houses could help more with your displays please comment below.
If you are in any other industry and a sole operator and wondering how you learned to present your professional and personal brand and how organisational aesthetics fits with what you do, please comment below.
How did you come to know what your style or aesthic preference is? How does your organisation use organisational aesthetics not only to bring in revenue but just for the value of having something beautiful to look at?
Below is a list of the posts you might have missed from August
The AI created the above featured image after a few attempts of not getting it quite right. I then asked it to show me an image of a black woman doing finishing touches to artwork and photography. I give it 8/10 this week.
This week I was able to do finishing touches, like mounting an abstract painting on paper onto canvas and setting up for product photography. I also completed the remaining x15 A5 sized artworks on art board.
Some of the x 15 abstract collaged monograms sculpted paintskins on canvas board Doing product photography
Love this mixed abstract painting using acrylic inks on paper mounted on framed canvas.
It has taken over a year to complete the series of about 30 + mixed media artwork featuring paint skins for texture. I’m also glad to have come up with the concept of paint skin to create abstract versions of the monogram underpainting.
Making an abstract monogram from sculpted paint skins
I love the interesting mix of textures that the offset mosaic like arrangement in the colleage creates.
The knife-sculpted paint skin allows me to extend the boundaries of the canvas, reminding me of overgrown nails. 💅🏽, which I later trimmed down. This has inspired future works.
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